Bangladesh National Museum preserves and displays the cultural property and heritage, as well as specimens of natural history of Bangladesh. Its mission is to establish a bridge between the past and the present and uphold the national tradition and culture. The
museum itself has a history, which began with the establishment of
Dhaka Museum on 20 March 1913 with an annual government grant of Rs 2,000. The Governor of Bengal, LORD CARMICHAEL, formally inaugurated the
museum on 7 August 1913 in a room of the Secretariat Building (at present, the DHAKA MEDICAL COLLEGE AND HOSPITAL).
The plea for setting up a museum in DHAKA was first made in the newspaper The DHAKA NEWS on 1 November 1856. In 1909, a few coins were transferred from Shillong to Dhaka, and a suitable place was needed to preserve them. H E Stapleton, a famous numismatist made a proposal to Governor Sir Lancelot Hare on 1 March 1910 to establish a
museum in Dhaka.
In the first meeting of the general committee held on 3 March 1914, a decision was taken to request the Bengal government for a grant of Rs 5,000 to cover the development expenses of the museum for 1914-15. The first meeting of the executive committee was held on 19 May 1914. At this meeting the draft budget for the year 1914-15 was prepared and a decision was taken to appoint a curator. NALINI KANTA BHATTASALI joined as the first curator of
Dhaka Museum on 6 July 1914, with a monthly salary of Rs 100. Although the museum was inaugurated on 7 August 1913, it was opened to the public on 25 August 1914, with 379 objects on display. A total of 4,453 people visited the museum in 1914-15; among them 143 were female.
A large portion of the budget of the museum comes from the government as grant. The sources of the
museum's own income include the rent collected from the four auditoriums and other buildings and sale of entry tickets. The director general is the chief executive of the
museum. It has four branch museums: Osmany
Museum at SYLHET; AHSAN MANZIL
Museum in Dhaka; Zia Smriti
Museum in CHITTAGONG, and the Shilpacharya Zainul Abedin Sangrahashala at MYMENSINGH. The number of foreign and local visitors at the
museum average 2,345 a day. For rural people, the
museum organised a Mobile Exhibition in 1979 with a special bus containing a Mini
Museum of 28 small galleries. The objective of this programme was to make the masses familiar with the culture and tradition of
Bangladesh.
The important objects under the Department of Contemporary Art and World Civilisation include paintings and sculptures of Shilpacharya Zainul Abedin, Quamrul Hasan and artist S M Sultan and artworks and reproductions of works by renowned artists from home and abroad; potteries burnt during the Second World War in Hiroshima of Japan and various local and foreign objects collected from Bangabhaban.
Objects supervised by the Department of Natural History include mapping of rocks, minerals and population of
Bangladesh; geological map of
Bangladesh; water colour paintings of rural
Bangladesh; stuffed Royal BENGAL TIGER of the Sundarbans, chitral deer, honey bee, PEAFOWL, CATTLE and birds, fruits and flowers, butterflies, pet animals, marine mollusc, elephant, monkey, LANGUR and the skeleton of a whale. Two other departments are Conservation Laboratory and Department of Public Education. The laboratory looks after the restoration of
museum objects using scientific methods. The Department of Public Education conducts
museum-related education programmes for the public and students. This department has seven sections: education, display, library, publications, audio-visual, auditorium and photography. The Department of Public Education organises seminars, symposia, exhibitions, competitions and educational and cultural functions.
It is arguably one of the most picturesque tourist destinations in Bangladesh, ringed by numerous hills and situated right on the sparkling waters of Kaptai Lake. The colorful lifestyle and culture of the indigenous communities reveals signifies their inherent love or nature and their intimate bond with the hills, forests and rivers. Rangamati's majestic natural beauty is most attractively manifested in the rainy season - trees become greener, waterfalls are in full flow, the river Karnaphuli is full to the brim. Rangamati includes the following places or interest for the tourists:
The three hill districts of Rangamati, Bandarban and Khagrachari offer beautiful spots, where nature has been least disturbed. Far from the congested, polluted and busy areas of the plains, there scenic and calm spots offer rare opportunities to the tourists. These areas are inhabited by various tribes, who are still very simple, docile and hospitable.
It is located 18 km south of Cox's Bazar, along the beach. The broken hills and waterfalls here are unique. There is a hilltop resort from where the shore of the Bay of Bengal looks enchanting. The scenic beauty one can see while driving from Cox's Bazar to Himchhari- is quite extraordinary, with lovely green hills on the left and the blue waves just on the right. The waterfall in Himchhari appears lively during the rainy season.
The Sundarbans has been recognized globally, for its importance as a reservoir of biodiversity. The mangrove supports a unique assemblage of flora and fauna. Including, charismatic mega fauna like the Royal Bengal Tiger, the estuarine crocodile and the Ganges river dolphin or susu. The Sundari tree. after which the Sundarbans is named, is native to this forest.
They serve the purpose of supporting the weight of the octagonal corner towers above. The temple contains four rectangular alleys on the ground floor circling the prayer hall which measure 30 ft 8 in (9.35 m) by 5 ft 0 in (1.52 m) and 15 ft 6 in (4.72 m) by 4 ft 4 in (1.32 m). On the ground floor. Three multi-cusped arched entrances on each side are present, which are separated by two ornate brick pillars. The number of arched doorways in the ground floor in its four shells is 21; on the first floor it is 27. The second floor, reduced in size, has only three entrance doors and three windows. A narrow staircase, only 2 ft 3 in (0.69 m) wide, is built into the western second corridor. It winds up through the dark passage to the first two stories.
Bangladesh National Museum preserves and displays the cultural property and heritage, as well as specimens of natural history of Bangladesh. Its mission is to establish a bridge between the past and the present and uphold the national tradition and culture. The museum itself has a history, which began with the establishment of Dhaka Museum on 20 March 1913 with an annual government grant of Rs 2,000. The Governor of Bengal, LORD CARMICHAEL, formally inaugurated the museum on 7 August 1913 in a room of the Secretariat Building (at present, the DHAKA MEDICAL COLLEGE AND HOSPITAL).
Dhaka Zoo is located in Mirpur area of Dhaka city. It was established in 1964, as a menagerie at the High Court Premises. In 1974 it has been moved to the present location under the supervision of Fisheries and Live stocks Department. It has an area of 186 acres including two lakes, which are the sanctuary of migratory birds in winter season.
Inside a green picturesque surrounding of Jahangir Nagar University, the sprawling acres of land holds this beautiful monument dedicated to the language martyrs of 1952.
This church dates from 1781 and it is still functioning today. Compared to some of the splendid churches elsewhere in the world, this is a rather small, but interesting building crowding on a narrow back street of old Dhaka.
A site museum houses the archaeological finds which include terra cotta plaques, bronze statues and caskets, coins, jewellery, utensils, pottery and votive stupas embossed with Buddhist inscriptions.
Shilaidaha Kuthibadi a historic place associated with RABINDRANATH TAGORE and a tourist spot. It stands on the south bank of the river Padma in Kumarkhali upazila in Kushtia district and is five miles north of the district headquarters across the Gadai and opposite to the Pabna town on farther north across the Padma. Shilaidaha is also famous for the kachhari (office) of the Birahimpur zamindari and the historic kuthibadi of the Tagore family of Jorasanko.
